László
Szlávics, the artist-artisan
Viewing
the oeuvre of László Szlávics a few years after his death
(1927-1991) and the collapse of a political system lasting
four decades, one is struck by the elementary force, the barbarian
sincerity and relevance with which the artist-artisan managed
to convey the contradiction between the ideas of a system
and their realization - a feat performed by few fellow artists.
What is more, László Szlávics was a worker to the core, a
social democrat "by birth", an ideologically persistent
offspring of an old factory worker family, who was enabled
to pursue academic studies thanks to the policies of the new
system erecting the bastions of culture and, of course, thanks
to his talent.
In the history
of Hungarian art, this type of artist-artisan is epitomized
by the name, origin, life-course and path-setting artistic
activity of Lajos Kassák. The only fact blurred by the eloquent
appreciations and references in the sixties is that he was
the scion of another age and another political system, his
formative years did not coincide with the 1940s and '50s -
well after his loud public performance - when he looked at
the proceedings of the political life around him with reserve
and elegance, with noble dignity and a naive benevolence,
whether he was momentarily silenced or given a |
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